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Misogyny Ruins the World Again in Netflix’s the Society

6 min readMay 25, 2019
Promotional artwork for Netflix’s the Society, premiered May 10th

I’m typically not captivated by the toil and vapidness of suburban white teenagers on television — especially if I can’t even get my maltreated Black tokenism that’s essentially the bare minimum of teen television. I’ve somehow sidestepped Riverdale for years now, and the closest I’ve found myself sinking into this kind of awkward gaze on the White agendas, but my timeline somehow tricked me into watching (and begrudgingly stanning) Netflix’s the Society — and the ending, honestly, has to be expected.

Netflix latest freshmen show of contained storytelling is about a small class of high school peers from a majorly white New England town of lawyers and affluence being abducted to an alternate dimension similar to their own with one caveat: a forest wrapping around their entire community, and no adults. The teens must figure out the rules of society and what to keep and discard from their old world in order to make this new one last long enough to escape.

Quickly, their class figure out how chaos works against the betterment of the community must give power to specific figures in order to enforce the peace. It’s high school, though, so of course we know who’ll be given that right: a bunch of football jocks.

The first nail in the coffin of this new, largely white — and privileged — world, if we’re being…

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Steven Underwood
Steven Underwood

Written by Steven Underwood

Writer on Black Masculinity and Digital Culture. Columnist at Cassius Life. Twitter Fool. Bylines: Oprah Mag, LEVEL, BET, MTV NEWS, LGBTQ NATION, Essence

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